1. | Preface |
2. | From the Ridiculous to the Sublime |
3. | In Search of Sacred Space |
4. | One Approach to Improvisation (or) Possible Perceived DNA of All Music |
5. | Short Time, Long Time, Short Time, Long Time |
6. | How Nino Rota Saved Me from a Subterranean Freakout |
7. | Places in My Music/My Music in Places |
8. | Colour Talk |
9. | Tachitipo: The Living Passport |
10. | shards of ether |
11. | Anatomy of a Big Band |
12. | Ranting and Ruminating on Rhythm |
13. | A Flickering and Thickening |
14. | The School of the Road |
15. | Peripheral Dromes |
16. | Suite #7 |
17. | A Brief History of the Piano-Percussion Quartet |
18. | The Vibraphone in the Music of John Zorn |
19. | Deep River...But How Deep? |
20. | "Venit Illuminatio" -- A Process Notebook |
21. | Thoughts on Compositional Strategies |
22. | A Means of Production |
23. | A Mentor |
24. | Music and...Football |
25. | Where I'm A |
26. | Shapes |
27. | Influences |
28. | Tomeka Reid Interviews Diedre Murray |
29. | The Flexible Role of the Bass |
30. | Unlimited Musings on Connection, Consciousness, Inspiration, and Purpose |
31. | Art Imitating Life |
32. | Lockwood's Piano |
33. | Statement on Technology and the Future of Music |
34. | Engineering New Music |
35. | About the Musicians |
36. | Recommended Listening |