Written in the 1970s, Zorn’s earliest game pieces are legendary (often discussed and workshopped in secret but rarely performed in public) and “Curling” from 1978 is one of the most elusive and hermetic. Focusing exclusively on long tones, it is quite unusual in Zorn’s canon—meditative, minimalist, and hypnotic. Performing here are two ensembles from the Bay Area that have had close ties with Zorn for over forty years and are perfectly suited to execute this challenging and beautiful work. The Rova Sax Quartet and the William Winant Percussion Group are both masters of composition and improvisation and here they take this seductive score to aston-ishing new heights.

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called “The Bagatelles.” After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. Volume 5 features Kris Davis, one of the greatest new voices in piano jazz. Joining her in this dynamic quartet is Mary Halvorson, one of the leaders of contemporary jazz guitar along with the brilliant rhythm section of Drew Gress and Kenny Wollesen. Beautiful arrangements, delicate and thoughtful solos and a stunning lyricism distinguish this fabulous new installment of John Zorn’s “Bagatelles.”

Vadim is one of the most accomplished pianists of his generation, a musician of astonishing range and passion. His newest work tells a story of compassion, empathy, willpower, resistance, sincerity, falsehood, freedom, and the arduous path to it. As a Ukrainian, he is deeply connected to the current events, however the music is not only about the devastating war, it speaks to us all, reflecting on timeless human challenges and the best aspects of our nature. Placing exhilarating piano improvisations in the context of gorgeous compositions for classical string trio, “Perseverantia” is Vadim’s greatest work to date.